Tuesday, November 3, 2009

Coco Before Chanel



On Halloween TD and I avoided the madness of the Village Halloween Parade and slipped into the Chelsea Cinema on West 23rd Street to see "Coco Before Chanel," the movie about the young Chanel. In French with English subtitles, it tells the story of how the girl who lived in a French orphanage grew to become the most influential fashion designer of the twentieth century. I've written here about Chanel before (in fact that post is the one most visited by readers) so I was looking forward to this film. I loved watching it and being in that wonderfully romantic era of the Belle Epoque before World War 1. The movie is quiet and elegant in an "unHollywood" way.

Chanel was born in 1883, so when she was coming of age, fashion looked like this:

Tight corsets, long trains and highly structured clothes impaired movement and freedom. Feathers, lace and dripping jewelry were added on to the heaviness like icing on a cake. From an early age, Chanel, in the movie played by Audrey Tatou, notices clothing and simplifies fashion. From the nuns in the orphanage she borrows the idea of austere black clothes edged with white collars and cuffs, which become a Chanel signature. For instance, for a masquerade party, she dresses like a hobo (above) in a black suit with a white collar band shirt and vest, while the other ladies are cinched in and puffed up in their finery.

Chanel falls in love with Arthur "Boy" Capel, played by Alessandro Nivola, who takes her to the seaside resort of Deauville.


There she notices the sailors' striped shirts and adopts them as her own.

I had two shirts like this in college. One, white with blue stripes, came from L.L.Bean. The other, blue with green stripes, came from an army and navy story on Nantucket. I've been looking to replace them ever since.

"Simplicity is the keynote of all true elegance," Chanel said later in her life. She reflected the modern age that was dawning and revolutionized clothes so that they followed the line of the body thus allowing the wearer freedom and comfort. In this scene, her sleek, sequined shift contrasts dramatically with the other confections in the room.


Sadly, Boy Capel died in a car crash, and Chanel never married. She had many lovers including the Duke of Westminster in England, from whom she borrowed tweed hunting jackets and Shetland sweaters. I thought that would have been neat to see in this movie, but this story did not go that far. Instead we see Chanel married to her work, creating the clothes, including the Chanel suit, that defined a century. We end with her in a blue sweater and white skirt and pearls – the epitome of timeless, modern chic.
Now that's what I call a Halloween treat!

6 comments:

Diane Dorrans Saeks said...

BART-


I'm motivated to see it.

All my friends have seen it and love it.

Is Tautou a wonderful actress. In these still she looks a bit nervous, stiff?

Looks like an exquisite film--beautiful design. Must go.
cheers, www.thestylesaloniste.com

Laura [What I Like] said...

I've been reading about this film but now that you've seen it I'm encouraged to actually make my way to 23rd St as well! It really is stunning how dramatically women's fashions changed over the course of her early life...probably more of a change than has occurred between the 1920s and today (with the exception of the whole women wearing pants thing)!

Bart Boehlert said...

Laura: Do see it!
Diane: I thought she was very good. She's "quiet" in this movie, not like the zany "Amelie." A fantastic face from every angle and a good actress.

strike said...

Nice blog.the images of coco before chanel movie is also very nice...

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Cat Sitter in the City said...

I cannot wait to see this film. I actually cat sit for a gorgeous feline who is named after Coco Chanel!

the.neo.lifestyle said...

yes indeed a wonderful film, i read the biography afterwords and i still prefer the movie, it's nicer.

Thanks

david